I act, write, photograph, and document. I call myself a collager — a storytelling artist interested in layering form, voice, and medium to reveal the multiple truths and textures a story can hold. I want to make and be part of work that is fearless, tender, and starts new conversations. Work that is interactive. Work that is multicultural. Work that carries the urgency of the question: If I had only an hour to speak to the world, what would I say?

I am drawn to stories about the Mother Courages of the world. To quirky, eccentric personalities. To lives unfolding in under-represented spaces. I am interested in the subtleties of the everyday — interpersonal relationships, private rituals, traditions, in-between moments, and silence.

I am compelled to engage in international projects and explore performance across languages and cultures. I find language dissonance and being lost in translation exciting in its capacity to transcend conventional modes of connection, create beautiful confusion, and invite surprise.

My dad speaks Bergamasco; my aunt speaks Patois. One day, they had a conversation entirely in their own dialects — a kind of beautiful miscommunication where nothing and everything was understood. This inspired me greatly.

I am passionate by theater that is interactive and invites the audience into the world of the play. I draw inspiration from companies like Complicité, The Moment Work Institute, and The Handspring Puppet Company, as well as from artists such as Tiago Rodrigues and Anna Deavere Smith.

As a writer, I work in theatrical decoupage uniting mediums, forms, and voices. I enjoy weaving traditional, text-based storytelling with poetic theatrical forms, and setting contrast and contradiction side by side to uncover both absurdity and universality.